This essay interprets two films—The Witch (2015) by Robert Eggers, and Antichrist (2009) by Lars von Trier—through the lens of the existentialist feminism of Simone de Beavoir. Note that the discussion involves heavy spoilers for both films.
Timestamps:
0:00 - Introduction
3:04 - The Witch (2009)
5:45 - The existentialist feminism of Simone de Beavoir
9:12 - The Witch (2009) continued
11:20 - Antichrist (2009)
19:10 - Conclusion
Share this post